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EMEK

Grand Prix, 67 Biennial Salon Arturo Michelena

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Being-Refuge /Serrefugio

focus of political territorial conflict

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Everything remembered is dear, everything remembered is there

an unstable world in constant flux and tension

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About
Lihie Gendler Talmor

A number of autobiographical circumstances have defined me as a person and an artist. I was born in British Palestine and grew up in Israel in a family and community of European immigrants, refugees and exiles. I resided for many years in Venezuela, where I still spend long periods of time. I lived for a year in India. I travel frequently to the United States and United Kingdom.

Works
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MIKVEH
Password
The Water Falls Outside of the War
Conifines
A PERFECT STAGING FOR A HAPPY CHILHOOD
EMEK
Printed Circuit
Being-Refuge /Serrefugio
Near, Far
RI / RONG
SELMA
Horowitz the story teller - chier de voyage
Videos
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Penelope 2005
Penelope 2005
Unfolding / Desdoble
I was there, but you won't see me

In recent years, the work of Lihie Talmor has been like a progressive conquest of artistic space: from the two-dimensional plane of the etched page, with its illusionary spaces

s it necessary to have the proper distance so as to see the full picture? And how does one know what the proper distance is?

In recent years, the work of Lihie Talmor has been like a progressive conquest of artistic space: from the two-dimensional plane of the etched page, with its illusionary spaces

s it necessary to have the proper distance so as to see the full picture? And how does one know what the proper distance is?

It is not difficult to see in Lihie Talmor's work the expression of a sensitivity in its utmost development, that the artist knows how to communicate assertively

There exist an overriding need to distinguish between the ephemeral and the essential; the ephemeral wounds, the essential yet endures; until the day when the ephemeral will have corroded the essential, will have destroyed its very nucleus, its hard nucleus…

In a country where oblivion is who gathers the remains of the city, where the blanks of collective memory decide about the changes in power and the markets, the work of LIHIE TALMOR functions as a film of the subversive unconscious.

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